30 May 2007

More about the GSWP

Workshop 1: SONATA THEORY

Instructors: Warren Darcy and James Hepokoski

Sonata Theory is a new genre-based approach to the study of sonata-form movements and the larger workings of multimovement sonatas, symphonies, and chamber music of the classical period. Late 18th-century sonatas are most productively heard within the context of a broad, flexible background knowledge of standard compositional options. Individual works within this genre interact with normative expectations of what is most likely to occur at each point in the form. This workshop explores this methodology as an analytical lens to examine sonata-based works from the classical era.

WARREN DARCY is Professor of Music Theory and former Director of the Division of Music Theory at the Oberlin College Conservatory. He has lectured and published widely on Wagnerian opera, and his book Wagner's “Das Rheingold” (Oxford, 1993) won the Society for Music Theory's 1995 Wallace Berry Award. He has also published on Bruckner and Mahler, and is co-author with James Hepokoski of Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata.

JAMES HEPOKOSKI, Professor of Music at Yale University, specializes in formal structure and hermeneutic issues in sonata-form-based repertories, ca. 1750-1920. He is the author of five books and numerous articles in a variety of areas, including Italian opera (Verdi), early-modernist composers (Sibelius, Strauss, Elgar), American and Germanic music-historical methodologies, and current literary-critical/cultural approaches to music. He was a co-editor of the journal 19th-Century Music from 1992 to 2006.

22 May 2007

Graduate Student Workshop--Yes!

Dear GSWP Applicant,

Congratulations! Out of 36 applications for the GSWP Sonata Theory Workshop, yours was one of the 15 randomly selected. The participants and their school affiliations are indicated below. Since there are others who have to be turned away, please send me an email before the end of this week confirming your participation.

You will be an important member of one of the first student think tanks in the history of SMT, and in all likelihood in the entire history of our field. Keep in mind that this is a collaborative, participatory, and interactive learning experience, and not a passive one. GSWP is providing the opportunity for this to occur; what you make of it is up to you. The more you put in, the more you'll get out of it both individually and as a team.

I look forward to a successful program for us all.

Sincerely,

Wayne Alpern, Director
SMT Graduate Student Workshop Program
smtworkshops@aol.com
212-877-8350

2007 GSWP SONATA THEORY WORKSHOP MEMBERS

James Bennett (Louisiana)
James Bungert (Iowa)
Steven Cannon (McGill)
David Cubek (McGill)
Jon-Tomas Godin (Montreal)
Jonathan Guez (Indiana)
Carl Heuckendorf (Eastman)
Ann Hiloski (Rutgers)
Emily Kausalik (Bowling Green)
Christopher Matthay (Princeton)
Peter Purin (Minnesota)
Carissa Reddick (Connecticut)
Robert Rival (Toronto)
Daniel Stevens (Michigan)
Alissa Wendelschafer (Minnesota)

04 May 2007

Places I'll be visiting in Vienna

Apparently Grove Music Online has a list of jazz nightclubs from all around the world.

Fatty’s JazzCasino.It was established in 1955 by Fatty George as a venue for his Two Sounds Band, which included Joe Zawinul and Carl Drewo. In February 1956 Lionel Hampton visited the club and an album was recorded there (Fatty George Meets Lionel Hampton, Mastertone 013). It closed in 1958, when George opened new premises as Fatty's Saloon.

Fatty’s Saloon.
Petersplatz. It was opened in 1958 by Fatty George, whose new band at the time included the trumpeter Fred Wallisch and Heinz Bigler. Among the major American and European jazz musicians to have played there are Hans Koller, Oscar Pettiford, Attila Zoller, George Maycock, Ella Fitzgerald, Cat Anderson, Jimmy Hamilton, John Lewis, Art Blakey, Curtis Fuller, Freddie Hubbard, and Herb Ellis; Friedrich Gulda often performed and rehearsed at the saloon.

Jazzland.
29 Franz Josephs Kai. Built into the catacombs of a medieval church, this jazz club was founded by Axel Melhardt and Klaus Schulz; on 4 March 1972 Albert Nicholas appeared at its opening as a guest soloist with the Austrian traditional-jazz group the Red Hot Pods. Under Melhardt's management from 1973, it became the most important jazz venue in Austria. By the late 1990s more than 300 notable American and European jazz and blues musicians had appeared there, among them Max Kaminsky, Wild Bill Davison, Eddie “Lockjaw” Davis, Jay McShann, Al Grey, Roy Eldridge, Peanuts Hucko, Kai Winding, Harry Edison, Joe Newman, Dexter Gordon, Cecil Payne, Hal Singer, Lee Konitz, Shelly Manne, Art Hodes, Ralph Sutton, Bob Wilber, Warren Vaché, Ken Peplowski, Lew Tabackin, Barbara Dennerlein, Albert Mangelsdorff, Attila Zoller, Guy Lafitte, Danny Moss, and Dusko Goykovich; for many years Art Farmer appeared with his European quintet three times annually. The most important Austrian traditional and mainstream jazz groups, such as Together, Just Friends, Jazzclusive, the Barrelhouse Jazzband, the Original Storyville Jazzband, and Oscar Klein’s band, also play there often. (A. Melhardt: Geschichte und G’schictln: 20 Jahre Jazzland, Vienna, 1992).

Porgy & Bess.
2 Spiegelgasse. It was founded by Mathias Rüegg, Renald Deppe, and Christof Huber in 1992 as a venue for jazz projects. Many American, European, and Austrian avant-garde and bop musicians have performed there, including Charles Lloyd, Michel Portal, Herbert Joos, Dieter Glawischnig, Albert Mangelsdorff, Tommy Flanagan, Wolfgang Muthspiel, his brother the trombonist Christian Muthspiel, Karl Ratzer, the Vienna Art Orchestra, the Upper Austrian Jazz Orchestra, the NDR Big Band, Lee Konitz, and Attila Zoller. In May 1998 it closed; however, it reopened, with financial help from the Austrian government, at a new location on Riemergasse on 28 December 2000. ( (2001))

WeihburgBar.
It presented jazz from at least the 1920s. Among the jazz musicians who performed there were Arthur Briggs with the Savoy Sycops Orchestra (three times between 1925 and 1927), which was one of the first jazz ensembles to play arrangements by Spike Hughes. Eddie South performed there in 1930.

Wiener Metropol.
Hernalser Hauptstrasse 55. Theater. It opened as a general arts center early in 1981 under the artistic direction of Alf Krauliz. As part of its highly varied program of events the Wiener Metropol has offered performances of many kinds of music, among them jazz, rock, and pop; among its other activities are theater, dance, and cabaret, and the center emphasizes entertainment for children and young people. Many notable American and European jazz musicians have performed there, including Bireli Lagrene, Jan Garbarek, Chet Baker, Art Blakey, Lester Bowie, Aladár Pege, Carla Bley, Charlie Mariano, and Baden Powell. The Wiener Metropol publishes a youth magazine, Metropol. ( (2001))